
71CD809: Crystal Round Rondelle Black 1/2 Metallic Silver 4x3 1STR
These 4mm machine-cut crystal rondelles split the difference between black and silver — literally — with one half opaque black glass and the other half a flat metallic silver finish that reads like plated metal. One strand gives you a rhythmic, two-toned sparkle that's hard to replicate with any single-color bead.
The metallic finish is fully opaque with a smooth, plated-metal surface — no translucency, no shimmer from within, just a clean industrial gleam that makes the black-and-silver split read as sharp and deliberate.
Specifications
- Size: 04mm
- Color: Greys and Blacks (mixed)
- Material: Glass Crystal
- Quantity: 1 Strand
What to make with them
Their rondelle shape and strong graphic contrast make them naturals for Art Deco-inspired necklaces where the alternating faces catch light as the piece moves, and they work equally well strung as spacers between larger focal beads in Gothic or Victorian-style designs where the two-tone effect adds structure without competing for attention.
Original: $3.75
-65%$3.75
$1.31Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
These 4mm machine-cut crystal rondelles split the difference between black and silver — literally — with one half opaque black glass and the other half a flat metallic silver finish that reads like plated metal. One strand gives you a rhythmic, two-toned sparkle that's hard to replicate with any single-color bead.
The metallic finish is fully opaque with a smooth, plated-metal surface — no translucency, no shimmer from within, just a clean industrial gleam that makes the black-and-silver split read as sharp and deliberate.
Specifications
- Size: 04mm
- Color: Greys and Blacks (mixed)
- Material: Glass Crystal
- Quantity: 1 Strand
What to make with them
Their rondelle shape and strong graphic contrast make them naturals for Art Deco-inspired necklaces where the alternating faces catch light as the piece moves, and they work equally well strung as spacers between larger focal beads in Gothic or Victorian-style designs where the two-tone effect adds structure without competing for attention.











