🎉 Up to 70% Off Selected ItemsShop Sale
HomeStore

10SB704: CZ Seed Bead White Colorlining In Grey 10/0 5HK

Product image 1

10SB704: CZ Seed Bead White Colorlining In Grey 10/0 5HK

Preciosa Ornela 10/0 Czech glass seed beads in White Colorlining In Grey arrive in a generous 5-hank quantity, giving you serious working supply of a versatile neutral that reads differently depending on the light.

The transparent glass shell lets a grey inner core show through, creating quiet depth — cooler and more layered than a flat opaque white, with a soft smoky undertone.

Specifications

  • Size: 10/0
  • Color: White Colorlining In Grey (transparent)
  • Finish: Color Lined
  • Material: Glass, made in Bohemia, Czechia
  • Quantity: 5 Hanks

What to make with them

These 2.2–2.4 mm rocailles are well-suited for off-loom beadweaving techniques like peyote and brick stitch where the color-lined effect builds into a subtle, shimmering field; they also work beautifully in loom work and fringe for bridal or Victorian-inspired pieces where a muted, sophisticated white reads more interesting than plain chalk.

$4.88

Original: $13.95

-65%
10SB704: CZ Seed Bead White Colorlining In Grey 10/0 5HK—

$13.95

$4.88

Product Information

Shipping & Returns

Description

Preciosa Ornela 10/0 Czech glass seed beads in White Colorlining In Grey arrive in a generous 5-hank quantity, giving you serious working supply of a versatile neutral that reads differently depending on the light.

The transparent glass shell lets a grey inner core show through, creating quiet depth — cooler and more layered than a flat opaque white, with a soft smoky undertone.

Specifications

  • Size: 10/0
  • Color: White Colorlining In Grey (transparent)
  • Finish: Color Lined
  • Material: Glass, made in Bohemia, Czechia
  • Quantity: 5 Hanks

What to make with them

These 2.2–2.4 mm rocailles are well-suited for off-loom beadweaving techniques like peyote and brick stitch where the color-lined effect builds into a subtle, shimmering field; they also work beautifully in loom work and fringe for bridal or Victorian-inspired pieces where a muted, sophisticated white reads more interesting than plain chalk.